Like his fiery study of a popular milieu in Fièvre, Louis Delluc's early masterpiece of impressionist cinema, La Femme de Nulle Part, is almost impossible to see outside of rare archival projections in Paris. Shot in natural settings, and stripped of all that is not cinema, Delluc's psychological drama featuring symbolist muse Eve Francis is an experiment in 'direct style.' A fascinating study in the relationship between past and present, memory, dream and reality, this revolutionary film would be a source of inspiration for successive filmmakers, from Francois Truffaut to Alain Resnais.
西島秀俊 齋藤工 宮澤冰魚(yú) 玉城蒂娜 宮川大輔 大森南朋 三浦友和 奧野瑛太 片岡禮子 螢雪次朗 茂呂師岡 前田旺志郎 若林時(shí)英 青木柚 奧田瑛二 鶴見(jiàn)辰吾
